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RME ADI-6432 19 2RU MADI to AES Converter
  • RME ADI-6432 19-inch 2RU High-Performance MADI to AES Audio Converter

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RME ADI-6432 19 2RU MADI to AES Converter

$4,099.00  $50.00
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Product Description

The RME ADI-6432 is a top-notch sixty-four-channel format converter that can convert between MADI and AES formats. It's super versatile and can be used in various scenarios. For example, two units can serve as a digital multi-core, or a single unit can act as an AES/EBU front end for the Hammerfall DSP MADI PCI card. MADI can handle up to 64 channels of 24-bit audio at sampling frequencies up to 48kHz, 32 channels up to 96kHz, and 16 channels at 192kHz. All channels are transferred via a single cable, either coaxial (BNC) or optical. The AES/EBU channels are available through eight 25-pin D-sub connectors. This unit features RME's SteadyClock for low jitter operation. Its Intelligent Clock Control remembers the last valid sample frequency if the input signal is lost. The front panel has nearly a hundred LEDs to clearly show the signal status. Errors can be quickly spotted and fixed, and the control keys can be locked to prevent accidental setting changes. Key features include support for up to 192kHz sample rates, supplying word clock in different speeds, distributing Double Wire 96kHz signals, and ensuring perfect synchronization with SyncAlign and SyncCheck technologies. It also offers a fully automatic input selection for redundancy, can stack multiple units, merge two MADI streams, and even be used as a MADI to MADI converter. All settings are saved when the unit is turned off, and it can transfer 16 MIDI channels with 64 audio channels. It can be fully remote-controlled via MIDI and is compatible with many companies' MADI interfaces.

Using the RME ADI-6432 is quite straightforward. First, connect the appropriate cables to the digital inputs and outputs according to your needs. You can choose between coaxial (BNC) or optical cables for MADI and use the 25-pin D-sub connectors for AES/EBU. Make sure to set the sample rates correctly to match your audio source. The unit will automatically detect and adjust to a wide range of sample rates, but you may need to double - check. When it comes to the word clock, connect it properly to ensure synchronization if you're using multiple units. Regarding the LEDs on the front panel, they give you a clear view of the signal status. If you see any error indicators, quickly troubleshoot by checking the connections and settings. Remember to lock the control keys to avoid accidental changes. When you're done using the unit, simply turn it off, and all your settings will be saved. For maintenance, keep the unit in a clean and dry environment. Regularly check the cables for any signs of damage. If you're using it in a critical application, take advantage of the automatic input selection for redundancy. Also, make sure the MIDI connections are secure if you're using the remote - control feature.


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