Arturia SEM Classic Synth Filter Plug-In

Dive into the iconic sound of Tom Oberheim's first self - contained analogue synthesizer with the Arturia SEM Classic Synth Filter Plug - In. This plug - in brings the legendary filter of the original SEM to your DAW, fusing vintage simplicity with modern audio - shaping power. With meticulous modeling, it captures the essence of the 70s SEM filter and adds contemporary features. Whether you're looking to transform acoustic instruments, sculpt vocals, refine a mix, or create dynamic transitions, this is the ideal tool for modern music production. The original SEM redefined synthesis with polyphony and rich sound textures. The 12dB per octave multi - mode VCF, with its low - pass, high - pass, notch, and band - pass modes, is accurately modeled in our Filter SEM, offering a versatile filter for every track. Key features include a virtual recreation of the classic 12dB/oct state variable SEM filter, dry/wet setting, filter output volume control, an additional noise oscillator, soft clipping circuit modeling, attack/hold/decay envelope, a low - frequency oscillator with 5 waveforms, synchronization with the DAW's clock, a smooth parameter for LFO modulation, a gate sequencer with up to 16 steps, program trigs/retrigs, an 8 - destination modulation matrix, 40 presets from top sound designers, and state - of - the - art TAE analog modeling for authentic sound. It's compatible with Windows 10+ (64bit) and Mac OS 11+, requires 4 GB RAM, 4 cores CPU, and 1GB free hard disk space, and works with VST, AAX, Audio Unit, NKS (64 - bit DAWs only). The package includes a digital download of the plug - in, a user manual, and installation/activation instructions.

Using the Arturia SEM Classic Synth Filter Plug - In is a breeze. First, install it on your DAW following the provided installation and activation instructions. Once it's up and running, you can start exploring its features. To shape your sound, play around with the mode, cutoff frequency, and resonance controls of the virtual SEM filter. Adjust the dry/wet setting to balance between the original and filtered sound. The filter output volume control lets you set the right volume for the filtered sound. You can add some extra richness with the additional noise oscillator. If you want a warm and saturated sound, use the soft clipping circuit modeling. For dynamic shaping, use the attack/hold/decay envelope. The low - frequency oscillator with 5 waveforms can add interesting modulations. Sync it with your DAW's clock for precise timing. Adjust the smooth parameter to make the LFO modulation smoother. Create rhythmic content with the gate sequencer and use program trigs/retrigs for variations. Explore the modulation matrix for extended sonic possibilities. And if you're short on ideas, use the 40 presets from top sound designers. When it comes to maintenance, keep your DAW and the plug - in updated using the ASC solution. Make sure your computer meets the required specifications to avoid any performance issues. Always follow the instructions in the user manual for the best experience.